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San Matteo
Lecce

San Matteo Lecce

San Matteo

Nestled in the charming streets of Lecce, Italy, San Matteo, known locally as Chiesa di San Matteo, stands as a stunning testament to the Baroque artistry that defines this historic city. This architectural gem, completed in the late 17th century, invites visitors to explore its intricate designs and rich history, offering a glimpse into the past while remaining a vibrant part of the present.

The History of San Matteo

The story of San Matteo begins in the latter half of the 17th century. Designed by Achille Larducci of Salò, a relative of the famed architect Francesco Borromini, the church replaced a 15th-century chapel dedicated to the apostle Matthew. The foundation stone was laid in 1667 by Bishop Luigi Pappacoda, and the construction was completed in 1700. Originally, the site included a convent of Franciscan nuns, which was later suppressed, leading to the church becoming the seat of the parish of Santa Maria della Luce in 1810.

Architectural Marvels of San Matteo

The exterior of San Matteo is a masterpiece of contrasts and curves. Its façade features a lower convex surface paired with an upper concave design, a nod to Borromini's style seen in the Roman church of San Carlo alle Quattro Fontane. The lower section is divided by two columns resting on high square bases, adorned with a unique scale-like decoration and an elaborate portal crowned by the emblem of the Franciscan Order. The upper section boasts a serliana framed by continuous moulding and richly decorated niches, all crowned by a dynamic, undulating cornice.

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Inside the Elliptical Wonder

Upon entering San Matteo, visitors are greeted by a singular elliptical nave, a hallmark of Baroque innovation. The walls are punctuated by chapels, each separated by pilasters on semi-circular plinths that support twelve stone statues of the Apostles, crafted in 1692 by Placido Buffelli. Above the chapels, ten bifora windows allowed the nuns of the past to observe services discreetly.

The interior's altars, attributed to the school of Giuseppe Cino, are quintessential examples of Lecce's Baroque style. On the left side, the altars include one dedicated to Saint Agatha, featuring Pasquale Grassi's 1813 painting The Martyrdom of Saint Agatha, and another to Saint Francis of Assisi. Further along, the altar of Saint Rita of Cascia displays a papier-mâché statue by Raffaele Caretta. The altars dedicated to the Immaculate Madonna and the Pietà, with its exquisite 1693 Venetian wooden statue, complete the left side's offerings.

The Splendor of the Apse

The apse of San Matteo is a spectacle of Baroque grandeur. Its star-vaulted ceiling shelters an ornate high altar adorned with small statues of saints. At the center, a niche houses a wooden statue of Saint Matthew, sculpted in 1691 by Gaetano Patalano of Ischia, adding a personal touch to this sacred space.

More Treasures Await

On the right side of the nave, visitors will find an altar featuring a 16th-century fresco of the Madonna della Luce, depicting the Virgin and Child with a coral necklace. Nearby, the altars of Saint Anne and the Holy Family showcase paintings by Serafino Elmo. Between these altars, a wooden pulpit, intricately carved and flanked by four allegorical stone statues, stands as a testament to the craftsmanship of the era. The final altar is dedicated to Saint Oronzo, featuring a painting from 1736.

A Musical Legacy

Above the entrance, the wooden, gilded cover of the 18th-century organ from the Basilica of Santa Croce remains, hinting at the musical heritage that once filled this sacred space with sound.

In conclusion, San Matteo is not merely a church; it is a journey through time and art, encapsulating the spirit of Lecce's Baroque period. Its walls echo with centuries of history, inviting visitors to immerse themselves in the beauty and reverence that define this remarkable landmark. Whether you are an aficionado of architecture, history, or simply a curious traveler, San Matteo promises an unforgettable experience in the heart of Lecce.

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